Giorgio Germont - La traviata, Teatro Nuovo - Spoleto, September 21, 2018

  • Ma dove La Traviata del Lirico Sperimentale trova la sorpresa assoluta è nella figura di Giorgio Germont, il padre di Alfredo- il baritono Daniel Lee. Lee strappa applausi fragorosi a scena aperta per la qualità impressionante della sua esecuzione. Una tessitura vocale affascinante come lo è la presenza scenica del baritono che è sempre a suo agio nella parte. "But where La Traviata del Lirico Sperimentale finds the absolute surprise is in the figure of Giorgio Germont, the father of Alfredo - the baritone Daniel Lee. Lee ripples thunderous applause to open scene for the impressive quality of his performance. A fascinating vocal texture as is the stage presence of the baritone who is always at ease in the part."

    Carlo Vatoggioli, Tuttoggi.info 22/09/2018

Germont - La Traviata Teatro Comunale Riccardo Zandonai, April 29, 2017

  • Entusiasmo per uno strepitoso Germont a cui presta voce Daniel Ihn-Kyu Lee "Enthusiasm for a terrific Germont featured by Daniel Ihn-Kyu Lee"

    Katja Casagranda, TRENTINO 05/2017

Opera Siberia, Teatro Grattacielo, October 24, 2015

  • “Among the leading roles, the baritone part of the villainous Gleby is particularly intriguing, since the character never loses a savage humor that recalls that of Tonio in "Pagliacci." Daniel Ihn-Kyu Lee sang with intelligence and resonant tone.”

    Zachary Woolfe,The New York Times, October 26, 2015
  • “The sleazy Gleby was sung by baritone Daniel Ihn-kyu Lee with plenty of interpretive shadings and firm sound. Admirably, Lee had memorized his part for this single performance.”

    Eric Myers, Opera News
  • “The most developed character the semi-comic, semi-villainous Gleby, for whom Giordano bothered to craft a vocal personality got the most verbally nuanced and plushly vocalized performance, from baritone Daniel Ihn-kyu Lee.”

    David Shengold, Gaycity News
  • “Daniel Ihn-Kyu Lee sang Gleby with presence and distinction, acting the hypocritical and tender moments in a voice of great ironic character.”

    John Yohalem, MusicalAmerica.com October 28, 2015
  • “Highly impressive as the slimy Gleby was baritone Daniel Ihn-Kyu Lee who injected 57 varieties of sliminess into his superb voice,creating an unforgettable villain. Mr.Lee’s high point followed shortly thereafter in “La connobbi quand'era fanciulla” when we finally learn about the origins of their relationship,or his interpretation thereof.”

    Meche Kroop, Voce di Meche, October 25,2015

Opera Iphigenie en Tauride, Novaya Opera of Moscow, March 10, 2015

  • “Performing the role of Oreste needs a dramatic baritone and the Korean baritone Daniel Ihn-Kyu Lee, winner of numerous international competitions, meets the challenge with his commanding voice. His French pronunciation and his interpretation of the role are absolutely flawless.”

    Alexy Parin, Radio Orpheus, Moscow March 24, 2015

Opera La Nave, Teatro Grattacielo, October 31, 2012

  • “The cast also included a strong performance by Daniel Ihn-Kyu Lee, a baritone, as Sergio Gratico, Marco's brother.”

    (Vivien Schweitzer, The New York Times, November 4, 2012
  • “Grattacielo veteran Daniel Ihn-Kyu Lee sang the episcopal brother well.”

    John Yohalem, parterre.com, November 2,2012
  • “The role of Sergio Gratico required big emotions-particularly in the orgy/duel scene. Daniel Ihn-Kyu Lee has a solid and pleasant enough voice.”

    Dan Foley, MusicalCriticism.com, December 9, 2012
  • “Marco’s brother, Sergio Gratico, Daniel Ihn-Kyu Lee did what he could dramatically and musically undeveloped supporting roles.”

    Eli Jacobson,Gaycity News, January 2, 2013

Westfield Symphony Orchestra:Opera Pagliacci September 24, 2010

  • “The Westfield Symphony Orchestra played to an enthusiastic crowd of 5,000 at the PNC Arts Center on Friday night and repeated its program the next night in Westfield. Nedda lover Silvio was sung well by baritone Daniel Ihn-Kyu Lee.”

    Barbara Thomson, The Westfield Leader, September 30,2010

Opera Il Piccolo Marat , Teatro Grattacielo, April 13, 2009

  • “Duane D.Printz, the company's director, announced yet another casualty: the baritone scheduled to sing the carpenter had withdrawn because of illness. Daniel Ihn-Kyu Lee, a lyrical baritone engaged to sing several tiny roles, had a substantial success in adding the carpenter to his list.”

    Steve Smith, The New York Times, April 14, 2009
  • “Best vocal actor of the whole cast--Daniel Ihn-Kyu Lee, capably shouldering at short notice the leading role of Il Carpentiere besides three comprimario parts.”

    David Shengold, Opera Megazine UK
  • “Baritone Daniel Ihn-Kyu Lee, originally assigned to three bit parts, stepped up to the role of the Carpenter, playing it with conviction and a welcome touch of sympathy.”

    John W. Freeman, Opera News
  • “In the role of the Carpenter, another last minute replacement Daniel Ihn-Kyu Lee scored a major success, his lovely, lyric, ardent baritone made a strong impression.”

    Nino Pantano,Opera-L

Opera L'Oracolo, Teatro Grattacielo, November 13, 2007

  • “The baritone Daniel Ihn-Kyu Lee was a persuassive as the Businessman Hu- Tsin.”

    Vivien Schweitzer, The New York Times, November 15, 2007
  • “Baritone Daniel Ihn-Kyu Lee, a Grattacielo regular, displayed an attractive timbre as Ah-Yoe's father”

    Eric Myers, Opera News

Licia Albanese/Puccini Foundation Competition Concert, November 10th, 2007

  • “Baritone Daniel Ihn-Kyu Lee showing good legato and a Cornell MacNeil profile in Rodrigo's "Io morro..." from DON CARLO”

    Oberon's Grove, November 10th, 2007

European debut recital at Prinzregententheater in Munich, Germany, October 26, 2007

  • “Baritone Daniel Ihn-Kyu Lee,acclaimed as the "Asian Thomas Hampson",was awaited with great expectation as he presented his first European Lieder evening at the Prinzregententheater. He performed art songs of Liszt, Ravel,Mahler and Duparc with a magnificent voice that melds profound depths with lyrical fluidity. His dramatic quality was liberated during Italian Romances from Francesco Paolo Tosti and the Encores during which Lee's eminent operatic temperament emerged with a stirring persuasion.”

    Klaus P. Richter, Süddeutsche Zeitung, October 29, 2007
  • “The classical period industry loves to compare. A young singer, however, as an Asian issue of a high-carat Baritone Thomas Hampson since in the running to chicken, is new. However, the expectations of Daniel Ihn-Kyu Lee were substantial. And best indulges itself in the noble grief Duparcs. The course with beautiful, cultivated guided voice, the heat in the deep unfolds. Before the break the man with the high claim in Ravel’s more juicy-crudely thawed ‘chanson à of boire’, finally, unfolded temperament. The fact that in the program notebook was renounced the impression of the song texts, one could get over exceptionally. Mahler ”Songs of a Wayfarer" were to be understood word by word. Nevertheless, there Mr. Hampson hangs a little bit high.”

    Christa Sigg, Abendzeitung,October 30, 2007

Montreal International Musical Competition 2007 Final, Theatre Maisonneuve of Place des Arts with the Orchestre Metropolitan, May 28, 2007

  • “Daniel Ihn-kyu Lee has qualities Italian "Amazing" for an Oriental:a round baritone and equal on the whole range, and an excellent pronunciation. He sings the Donizetti in Italian and not in the original indicated in the program. Very gifted as performer, he dives into the world of Mahler with the ease of a great singer in German.”

    Claude Gingras, La Presse " Montreal,May 29, 2007
  • "Korean baritone Daniel Ihn-Kyu Lee produced a warm tone and communicated clearly in Italian (Donizetti and Mozart), French (Bizet) and German (Mahler's Ich hab ein glühend Messer)"

    Jim Lowe, Times Argus, Jun 10, 2007
  • Korean baritone Daniel Ihn-Kyu Lee, a rich voice, delivered a darkly impressive Mahler song and a deep expressiveness in an aria from Bizet's "The Pearl Fishers”

    Jim Lowe, Times Argus, Jun 10, 2007
  • “Unlike the “bari-tenor” of Dupuis, Lee is much more of the ‘meat and potatoes’ sort of baritone, with an operatic, Italianate sound. Good stage presence and he acted well, The voice is good sized, His best work was in the Pearl Fishers aria, beautifully modulated singing. Overall, a fine voice used intelligently.”

    Joseph So,Critiques de La Scena Musicale Online, May 29, 2007

Opera L'Arlesiana , Opera Orchestra of New York, Feburary 21, 2007

  • “The award for completeness should go to another baritone, Ihn-Kyu Lee, whose brief appearances as Metifio were well sung and well conceived.”

    Bernard Holland, The New York Times, Feburary 23, 2007
  • “And the darker-voiced Ihn-Kyu Lee, introduced by ominous strains befitting the bearer of bad tidings and going up to high G and F-sharp on the word "cane" (dog), as the stableman Metifio, bent on abducting l’Arlesiana”

    Bruce-Michael Gelbert,Qonstage
  • “Effective in his way, Ihn-Kyu Lee as Metifio the offstage Arlesiana's paramour, so Federico's rival”

    David Shengold, Opera News
  • “Three of Renata Scotto's most promising pupils were there to perform:

    Daniel Ihn-Kyu Lee,whose offerings included 'Largo al factotum'.”

    July 2006 
  • May 2006

    Tribute concert: Honoring Renata Scotto

    The Union Club of New York 

    “Three of Renata Scotto's most promising pupils were there to perform: 

    Daniel Ihn-Kyu Lee,whose offerings included 'Largo al factotum'.”

    July 2006 , Opera News